The shortlist for the Critics Awards for Theatre in Scotland has been released. My colleagues and I spent a long day in a Glasgow hotel at the weekend, deliberating over the ten categories. Putting a dozen of the most opinionated people in Scotland in a room for six hours is always a high-risk strategy - and the day did have its outbursts - but we survived it in remarkably good humour. We even hit the pub that evening for a few more pints than was sensible on an empty stomach. A pariticularly strong shortlist this year, I think.
Meanwhile, The Stage reports on the fallout from the Scottish Arts Council publishing its internal reports online. It isn't too specific about where the "backlash" is coming from, though. Borderline, of course, is disgruntled, being one of the companies facing the axe, but it was disgruntled before the reports were made public, so its reaction is hardly a backlash. It'd be interesting to know who "many of the country’s leading theatre organisations" are - especially when, by the article's own admission, Lizzi Nicoll, director of the Federation of Scottish Theatre, has welcomed the move.
New on Mark Fisher's Scottish Theatre Links today, a review of Ali Smith's The Seer.
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