Published in the Guardian
Huxley's Lab
Informatics Forum, Edinburgh University
4 out of 5
It is nearly 80 years since Aldous Huxley published Brave New World, and around 60 since eugenics was discredited, so this site-specific collaboration between Grid Iron and Lung Ha's theatre company might easily have seemed old hat. Set in a clinic where test-tube babies are fed alcohol to determine their social status, Huxley's Lab is a dystopian vision of a culture hell-bent on perfection. Yet rather than treading familiar ground, the production by Ben Harrison and Maria Oller is fresh, funny and polemical.
One reason for this is the building itself. The Informatics Forum is an open-plan university block, its glass windows looking on to academics and computer terminals. The air of cool efficiency is in keeping with the lab coats and hollow slogans of the staff at the fictional Huxley Laboratories, who take us on a tour of the building, from lecture room to Soma lounge. This is creepily plausible, but most haunting is the rooftop garden where the lawless "naturals" lead a life of carnivalesque abandon.
Those "naturals" are played by the disabled actors of Lung Ha's, as is the self-hating mastermind, Professor Huxley (Stephen Tait). Their presence – joyful, vulgar, defiant – is a stinging reminder of what happens when eugenics is applied to the splendid variety of real life.
Harrison's script successfully connects a crackpot theory from the 1930s to today. All too convincingly, the staff promote an atomised lifestyle that rejects the messiness of the family in favour of pneumatic bodies and pornographic pleasure. Quoting the infamous Kate Moss line, "Nothing tastes as good as skinny feels," the play brilliantly engages with a deep neurosis in our "fitter, better, more productive" time.
© Mark Fisher 2010
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Huxley's Lab
Informatics Forum, Edinburgh University
4 out of 5
It is nearly 80 years since Aldous Huxley published Brave New World, and around 60 since eugenics was discredited, so this site-specific collaboration between Grid Iron and Lung Ha's theatre company might easily have seemed old hat. Set in a clinic where test-tube babies are fed alcohol to determine their social status, Huxley's Lab is a dystopian vision of a culture hell-bent on perfection. Yet rather than treading familiar ground, the production by Ben Harrison and Maria Oller is fresh, funny and polemical.
One reason for this is the building itself. The Informatics Forum is an open-plan university block, its glass windows looking on to academics and computer terminals. The air of cool efficiency is in keeping with the lab coats and hollow slogans of the staff at the fictional Huxley Laboratories, who take us on a tour of the building, from lecture room to Soma lounge. This is creepily plausible, but most haunting is the rooftop garden where the lawless "naturals" lead a life of carnivalesque abandon.
Those "naturals" are played by the disabled actors of Lung Ha's, as is the self-hating mastermind, Professor Huxley (Stephen Tait). Their presence – joyful, vulgar, defiant – is a stinging reminder of what happens when eugenics is applied to the splendid variety of real life.
Harrison's script successfully connects a crackpot theory from the 1930s to today. All too convincingly, the staff promote an atomised lifestyle that rejects the messiness of the family in favour of pneumatic bodies and pornographic pleasure. Quoting the infamous Kate Moss line, "Nothing tastes as good as skinny feels," the play brilliantly engages with a deep neurosis in our "fitter, better, more productive" time.
© Mark Fisher 2010
Sign up for theatreSCOTLAND updates: http://groups.google.com/group/theatreSCOTLANDupdates
Sign up for theatreSCOTLAND discussion: http://groups.google.com/group/theatrescotland
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