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Mark Fisher
Edinburgh, Scotland, United Kingdom
Follow me @markffisher and @writeabouttheat I am an Edinburgh-based freelance journalist and critic specialising in theatre and the arts. Publications I write for include the Guardian, Scotland on Sunday and the Scotsman. I am the author of The Edinburgh Fringe Survival Guide: how to make your show a success, published in February 2012 and How to Write About Theatre: A Manual for Critics, Students and Bloggers published in July 2015. From 2000-2003, I was the editor of The List magazine, Glasgow and Edinburgh's arts and events guide. See my website for more information and comprehensive Scottish theatre links.
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Wednesday, September 14, 2011

Allotment, theatre review


ALLOTMENT
Can you dig it? Yes we can! ++++=
Whatever happens to Dora and Maddy, the chalk-and-chips sisters at the heart of Jules Horne's sweetly observed play, you know they will be outlived by their surroundings. The soil beneath their feet, the weeds that have persisted for millions of years and the insects that buzz across the working allotment where the two-hander is performed will all persist long after they've gone.
The setting means that even though Nicola Jo Cully and Pauline Goldsmith act out the whole life cycle of the squabbling siblings, you get a sense of life cycles gone by and those still to come. As the actors muddy their hands on real earth and savour the aroma of a real mint plant, the site-specific location adds a real poignancy to Horne's observational script. It is a poignancy enhanced by the actors' witty and sympathetic understanding of the women's love-hate relationship.
Directed with loving attention to detail by Kate Nelson – from the mug of tea we get on arrival to the props that emerge from the soil itself – Nutshell's production is a grow-your-own treat. (Mark Fisher)
Assembly Inverleith Allotments, 623 3030, until 28 Aug (not 15, 22), times vary, £10.
 

© Mark Fisher 2011

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