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Mark Fisher
Edinburgh, Scotland, United Kingdom
Follow me @markffisher and @writeabouttheat I am an Edinburgh-based freelance journalist and critic specialising in theatre and the arts. Publications I write for include the Guardian, Scotland on Sunday and the Scotsman. I am the author of The Edinburgh Fringe Survival Guide: how to make your show a success, published in February 2012 and How to Write About Theatre: A Manual for Critics, Students and Bloggers published in July 2015. From 2000-2003, I was the editor of The List magazine, Glasgow and Edinburgh's arts and events guide. See my website for more information and comprehensive Scottish theatre links.
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Wednesday, September 14, 2011

Emergence, theatre review


EMERGENCE
Death becomes the Pachamamas +++==
It's always tricky to deal with grief on stage. By its nature, it is an emotion that comes after the fact, making an audience feel it has missed out on the main event. It cannot be resolved in the way any other dramatic conflict is resolved.
This three-hander by the Pachamamas (not to be confused with Cora Bissett's similarly named company) sidesteps the problem in two ways. The first is to focus not so much on death itself, but on the passage of time and the many moments in life when two people can grow apart. It considers the conflicting values of independence and isolation as it pieces together the relationship between a Finnish mother living in South America and her English-educated daughter.
The second way is to treat the subject as a physical theatre cabaret. Lorraine Sutherland's production is inventive and impressionistic, jumping from song, to choreographed movement to dream-like surrealism. The results are uneven but the approach gives variety to a potentially predictable scenario. Even though Emergence doesn't really have an end (what end could there be?), it is a spirited and diverting show. (Mark Fisher)
Underbelly, 226 0000, until 28 Aug (not 16, 23), 11.20am, £8.50–£9 (£7.50–£8). 


© Mark Fisher 2011

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