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Mark Fisher
Edinburgh, Scotland, United Kingdom
Follow me on Twitter at MarkFFisher, WriteAboutTheat and LimelightXTC I am a freelance journalist and critic specialising in theatre and the arts. Publications I write for include the Guardian and the Scotsman. I am the author of The Edinburgh Fringe Survival Guide: how to make your show a success and How to Write About Theatre: A Manual for Critics, Students and Bloggers. I am also editor of The XTC Bumper Book of Fun for Boys and Girls: A Limelight Anthology. From 2000-2003, I was the editor of The List magazine, Glasgow and Edinburgh's arts and events guide.
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Wednesday, September 14, 2011

A Day In November, theatre review

A Day In November 2 stars
Zoo Southside (Venue 82)
It would be wrong to suggest the Fringe has no room for more than one show about the existential dilemmas of a cantankerous table-top puppet. But even if it weren't for the exemplary object theatre of Blind Summit's The Table, it would be hard to raise any enthusiasm for this one-man show by Rumen Gavanozov of Theater Atelie 313. Once you've admired the craftsmanship of his wrinkled, vegetable-like puppet, weighted in such a way that it can stand unsupported on its own two feet, you are left with a show that feels like one long, empty improvisation. It is no advert for Gavanozov's skills either as a puppeteer or an entertainer.
Mark Fisher

© Mark Fisher 2011

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